Joe Baker and his Barefoot Brakemen’s
“Shook, Broke, Hung”
2008 Alonzo Records,
Portland, OR
Joe Baker and his Barefoot
Brakemen have been playing all over their hometown of Portland, OR for several
years now. Their music has been called
“dixie-tonk” and can be described as being equal parts country, jazz, and
blues, with influences being mostly from the 78 rpm era. On “Shook, Broke, Hung”, their 2008 debut
release, the band disregards current popular music with a sound rooted deeply
in the past.
Recorded onto tape and
mixed in mono by Mike Coykendall (M Ward, She & Him, Tin Hat Trio), the
bulk of "Shook, Broke, Hung" was done as a live 5-piece band in one
room with no amplifiers, all in one day. Instrumentation consisted of
steel-string acoustic guitar (Joe Baker), mandolin and tenor banjo (Christen
Hubbard), drums (Richmond Fontaine’s, Sean Oldham), upright bass (Jim Delaney)
and piano (Joey Prather). The following
day David Goldstein (founding member of Hackensaw Boys) was brought in to add
some fiddle to a couple of numbers. Finally, Joe added some steel guitar and
then completed all of his vocals (Christen managed to squeeze in a background
vocal on one song). On the third day it
was all mixed.
The result is an inspired
collection of songs that showcase each player as they take on five Baker
originals (three bluesy honky-tonk weepers, "Why Are You Doing This To
Me", "Wiping Back These Tears", and "Wasn't That
Nice", the ragtimey, "Owyhee River Home" and the
hillbilly-boogie instrumental, "Baker's Boogie"), renditions of songs
by the likes of The Delmore Brothers ("Gonna Lay Down My Old
Guitar"), Lefty Frizzell (You Want Everything But Me"), Peggy Lee
(I'm Gonna Go Fishin'"), Porter Wagoner ("A Satisfied Mind"), as
well as their take on two dixieland jazz standards ("Please Don't Talk
About Me When I'm Gone" and the instrumental "China Boy").
Lively, raw, exciting, and
fun, and with a dose of plaintiveness, sorrow and heartbreak for good measure,
“Shook, Broke, Hung”, is sure to bring Joe Baker and his Barefoot Brakemen to
the attention of those seeking a great new band with an old-style
sensibility. Recommended for fans of
country, blues and jazz.
Originally
having grown up in Sedona, AZ, Joe Baker arrived in Portland, OR in 1995 and
soon became involved in that town’s music scene. His passion for country, blues and punk, plus his ability to play
guitar, drums and sing, has led him to play with a wide variety of bands. He currently leads Joe Baker and his
Barefoot Brakemen, Portland’s premiere dixie-tonk outfit. (“dixie-tonk”, a mix
of 78 rpm-era honky-tonk, blues and dixieland jazz)
Though he was known back in Arizona as a drummer, the first band he joined in Portland was on electric guitar. That band was The Starlings. Led by the Neo-Boys’ KT Kincaid, The Starlings surf-tinged dark-folk was a perfect match for Joe’s guitar style. For several years the four-piece played the Portland punk circuit. They gained lots of regional press for their self-titled CD, all singling out Joe’s guitar work as being exciting. By 1999, The Starlings disbanded.
Joe spent the next 8 years playing in a bunch of different groups both on guitar and drums as well as singing, sometimes as a leader, but also as a sideman. After a year stint as drummer for New Bad Things spin-off, Wallpaper, (he played lap-steel guitar on their Black Bean and Placenta release, “Honing The Spectacular”) Joe spent a total of 3 years as lead guitarist for Wife Stealin’ Bastards, a high-energy honky-tonk act that dabbled in surf and rock (they have a stand-out cut on Last Chance Records’, “In The Cole Mind: A Tribute To Fred Cole and Dead Moon”. At this time Joe fronted two three-piece bands featuring his indie and roots-tinged punk originals, first the short-lived Shackleton, and then The Goatuckers who enjoyed a three-year run. Both of those bands recorded well received EP’s. Somehow through this period he also found time to frequently sit in with acclaimed blues guitarist, Terry Robb, which led to Joe having a solo performance at the 2002 Portland Waterfront Blues Festival. In 2004, after a year playing drums for Rob Scrivner’s (John Fahey Trio) pop act, Sir Lawrence and The Student Prince, Joe dropped all his other bands to play drums for heavy rock quartet, Pretty Monster. Featuring all former northern Arizonan’s, Pretty Monster enjoyed two years of playing the clubs of Portland and Seattle, opening up for such national acts as The BellRays, Legendary Shack Shakers, Jucifer, and Immortal Lee County Killers to name a few, before disbanding just as they completed and self released their full-length CD.